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  • Villa Vassilieff

    Villa Marie Vassilieff
    Chemin de Montparnasse
    21 avenue du Maine

    75015 Paris
    +33.(0)1.43.25.88.32
  • Ernesto Oroza / Pernod Ricard Fellow 2016
  • Events
  • Images
  • Images

    Prints and artist’s edi­tion with Gean Moreno "Aprendiendo del Pequeño Haití", Textos Moire, 2009. Courtesy Ernesto Oroza & Villa Vassilieff.
    Ernesto Oroza pre­sents his col­lec­tion during his talk on "tech­no­log­ical dis­obe­di­ence" for the "Tomorrow Is An Island" work­shop with Nathalie Muchamad, Rafael Moreno, Victorine Grataloup and Jason Wee, on September 27, 2016. Courtesy Ernesto Oroza & Villa Vassilieff.
    Presentation of the artist’s col­lec­tion during the "Tomorrow Is An Island" work­shop on September 27, 2016: glass built from the upper part of a Coca-Cola glass bottle and an injected plastic stem. Courtesy Ernesto Oroza & Villa Vassilieff.
    A stu­dent manip­u­lates a bloc of melted plastic from E. Oroza’s col­lec­tion, , typ­i­cally used in Cuba to create util­i­tarian objects during the two-day work­shop with stu­dents from the Ecole Nationale des Beaux-Arts d’Angers from November 15 to November 16, 2016. Courtesy Ernesto Oroza & David Enon. Courtesy Ernesto Oroza & David Enon.
    Ernesto Oroza pre­sents his col­lec­tion during the "Tomorrow Is An Island" work­shop on “tech­no­log­ical dis­obe­di­ence” with Nathalie Muchamad, Rafael Moreno, Victorine Grataloup and Jason Wee, on September 27, 2016 : cuban “pi­rate” edi­tions of design books, cup built from the bottom part of a plastic bottle. Courtesy Ernesto Oroza & Villa Vassilieff.
    Ernesto Oroza showing his prints during the two-day work­shop "Let’s Start, Here" with stu­dents from the Ecole Nationale des Beaux-Arts d’Angers from November 15 to November 16, 2016. Courtesy Ernesto Oroza & David Enon.
    Opening of Ernesto Oroza’s Open Studio at the Pernod Ricard Studio, on November 16, 2016. Courtesy Ernesto Oroza & Villa Vassilieff.
    Presentation of the artist’s col­lec­tion of objects on “tech­no­log­ical dis­obe­di­ence” during his Open Studio on November 18, 2016. Courtesy Ernesto Oroza & Villa Vassilieff.
    Presentation of the artist’s col­lec­tion of objects enacting “tech­no­log­ical dis­obe­di­ence” during his Open Studio on November 18, 2016. Courtesy Ernesto Oroza & Villa Vassilieff.
    Chair cor­rected during the two-day work­shop "Let’s Start, Here" with stu­dents from the Ecole Nationale des Beaux-Arts d’Angers from November 15 to November 16, 2016. Courtesy Ernesto Oroza, David Enon, & Villa Vassilieff.
    Ernesto Oroza at his Open Studio on November 18, 2016. Works in the back from the series ParaISO (Factogram), Courtesy Ernesto Oroza & Villa Vassilieff.
    Chair cor­rected by Ernesto Oroza, 2016. Courtesy Ernesto Oroza & Villa Vassilief. Courtesy Ernesto Oroza & Villa Vassilieff.
    Ernesto Oroza works at his Open Studio on November 18, 2016. Courtesy Ernesto Oroza & Villa Vassilieff.
    The artist’s dig­ital col­lec­tion of objects on « tech­no­log­ical dis­obe­di­ence”., Courtesy Ernesto Oroza & Villa Vassilieff.
    Photograph of the print machine inside the Montparnasse sta­tion that printed the artist’s dig­ital pho­tographs col­lec­tion as well as the pho­tographs he had taken during his res­i­dency/, Courtesy Ernesto Oroza & Villa Vassilieff.
    Ernesto Oroza pre­sents a selec­tion pho­tographs on “tech­no­log­ical dis­obe­di­ence” during his Open Studio on November 18, 2016. Courtesy Ernesto Oroza & Villa Vassilieff.

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