• Sophie Podolski: The Country Where Everything Is Permitted
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    Exhibition view of "Sophie Podolski: The Country Where Everything is Permitted", Villa Vassilieff, Paris, 2018. 
    Sophie Podolski,Untitled, ca. 1971.
    Joëlle de La Casinière’s col­lec­tion.
    Image: Aurélien Mole
    Exhibition view of "Sophie Podolski: The Country Where Everything is Permitted", Villa Vassilieff, Paris, 2018. Selection of pages from the manuscript The Country Where Everything is Permitted by Sophie Podolski, 1971. Collection: Archives et Musée de la Littérature, Bruxelles ;
    In the House (of Montfaucon Research Center) of Joëlle de la Casinière, 2017.
    Joëlle de La Casinière’s col­lec­tion.
    Image: Aurélien Mole
    Exhibition view of "Sophie Podolski: The Country Where Everything is Permitted", Villa Vassilieff, Paris, 2018. Selection of pages of the manuscript The Country Where Everything is Permitted of Sophie Podolski, 1971. Collection: Archives et Musée de la Littérature, Brussels ;
    In the House (of Montfaucon Research Center) of Joëlle de la Casinière, 2017. Joëlle de La Casinière’s col­lec­tion.
    Image: Aurélien Mole
    Exhibition view of "Sophie Podolski: The Country Where Everything is Permitted", Selection of pages of the manuscript The Country Where Everything is Permitted of Sophie Podolski, 1971.
    Collection: Archives et Musée de la Littérature, Bruxelles.
    Image: Aurélien Mole
    Exhibition view of "Sophie Podolski: The Country Where Everything is Permitted", Villa Vassilieff, Paris, 2018.
    Image: Aurélien Mole
    Exhibition view of "Sophie Podolski: The Country Where Everything is Permitted", Villa Vassilieff, Paris, 2018. Sophie Podolski, Untitled, ca. 1968-69.
    Catherine Podolski’s col­lec­tion.
    Image: Aurélien Mole
    Exhibition view of "Sophie Podolski: The Country Where Everything is Permitted", Villa Vassilieff, Paris, 2018.
    Sophie Podolski, Untitled, ca. 1968-69.
    Catherine Podolski’s col­lec­tion.
    Image: Aurélien Mole
    Exhibition view of "Sophie Podolski: The Country Where Everything is Permitted", Villa Vassilieff, Paris, 2018. Sophie Podolski, Untitled, ca. 1971.
    Joëlle de La Casinière’s col­lec­tion.
    Image: Aurélien Mole
    Exhibition view of "Sophie Podolski: The Country Where Everything is Permitted", Villa Vassilieff, Paris, 2018.
    Sophie Podolski, Green Light, ca. 1970 and Untitled, ca. 1971.
    Joëlle de La Casinière’s col­lec­tion.
    Image: Aurélien Mole
    Exhibition view of "Sophie Podolski: The Country Where Everything is Permitted", Villa Vassilieff, Paris, 2018.
    Sophie Podolski, Untitled, ca. 1971.
    Joëlle de La Casinière’s col­lec­tion.
    Image: Aurélien Mole
    Exhibition view of "Sophie Podolski: The Country Where Everything is Permitted", Villa Vassilieff, Paris, 2018.
    Sophie Podolski, Where is Marilyn ?, ca. 1970-72.
    Joëlle de La Casinière’s col­lec­tion.
    Image: Aurélien Mole
    Exhibition view of "Sophie Podolski: The Country Where Everything is Permitted", Villa Vassilieff, Paris, 2018.
    Sophie Podolski, Free trans­la­tion, ca. 1970-72 and Untitled, ca. 1970-72.
    Joëlle de La Casinière’s col­lec­tion.
    Image: Aurélien Mole
    Exhibition view of "Sophie Podolski: The Country Where Everything is Permitted", Villa Vassilieff, Paris, 2018. 
    Image: Aurélien Mole
    Exhibition view of "Sophie Podolski: The Country Where Everything is Permitted", Villa Vassilieff, Paris, 2018.
    Sophie Podolski, Untitled, ca. 1968-69.
    Joëlle de La Casinière’s col­lec­tion.
    Image: Aurélien Mole
    Exhibition view of "Sophie Podolski: The Country Where Everything is Permitted", Villa Vassilieff, Paris, 2018.
    Image: Aurélien Mole
    Exhibition view of "Sophie Podolski: The Country Where Everything is Permitted", Villa Vassilieff, Paris, 2018.
    Sophie Podolski, Tale of Simonis, ca. 1969.
    Joëlle de La Casinière ’s col­lec­tion.
    Image: Aurélien Mole
    Exhibition view of "Sophie Podolski: The Country Where Everything is Permitted", Villa Vassilieff, Paris, 2018. 
    Image: Aurélien Mole
    Exhibition view of "Sophie Podolski: The Country Where Everything is Permitted", Villa Vassilieff, Paris, 2018.
    Image: Aurélien Mole
    Exhibition view of "Sophie Podolski: The Country Where Everything is Permitted", Villa Vassilieff, Paris, 2018. 
    Sophie Podolski, Tale of Simonis, ca. 1969 (detail).
    Joëlle de La Casinière’s col­lec­tion.
    Image: Aurélien Mole
    Exhibition view of "Sophie Podolski: The Country Where Everything is Permitted", Villa Vassilieff, Paris, 2018.
    Image: Aurélien Mole
    Exhibition view of "Sophie Podolski: The Country Where Everything is Permitted", Villa Vassilieff, Paris, 2018. 
    Sophie Podolski, Untitled, ca. 1970.
    Joëlle de La Casinière ’s col­lec­tion.
    Image: Aurélien Mole
    Exhibition view of "Sophie Podolski: The Country Where Everything is Permitted", Villa Vassilieff, Paris, 2018.
    Sophie Podolski, Untitled, 1970.
    Joëlle de La Casinière ’s col­lec­tion.
    Image: Aurélien Mole
    Exhibition view of "Sophie Podolski: The Country Where Everything is Permitted", Villa Vassilieff, Paris, 2018.
    Sophie Podolski, These are only everyday real­i­ties, ca. 1971.
    Joëlle de La Casinière ’s col­lec­tion.
    Image: Aurélien Mole
    Exhibition view of "Sophie Podolski: The Country Where Everything is Permitted", Villa Vassilieff, Paris, 2018.
    Sophie Podolski, Untitled, env. 1971.
    Joëlle de La Casinière ’s col­lec­tion.
    Image: Aurélien Mole
    Exhibition view of "Sophie Podolski: The Country Where Everything is Permitted", Villa Vassilieff, Paris, 2018. 
    Sophie Podolski, Snow Queen, ca. 1970-71.
    Joëlle de La Casinière ’s col­lec­tion.
    Image: Aurélien Mole
    Exhibition view of "Sophie Podolski: The Country Where Everything is Permitted", Villa Vassilieff, Paris, 2018. 
    Sophie Podolski, Untitled, 1970.
    Joëlle de La Casinière ’s col­lec­tion.
    Image: Aurélien Mole
    Exhibition view of "Sophie Podolski: The Country Where Everything is Permitted", Villa Vassilieff, Paris, 2018. 
    Sophie Podolski, Untitled, ca. 1970-71.
    Joëlle de La Casinière ’s col­lec­tion.
    Image: Aurélien Mole