• One of Many Stories
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    • One of Many Stories

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    Exhibition view of "One of many sto­ries", Villa Vassilieff, Paris, 2017. Photographs of the Free Workshop in Aden between 1976 and 1978. Image: Aurélien Mole.
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    Exhibition view of "One of many sto­ries", Villa Vassilieff, Paris, 2017. Image: Aurélien Mole.
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    Exhibition view of "One of many sto­ries", Villa Vassilieff, Paris, 2017. Image: Aurélien Mole.
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    Exhibition view of "One of many sto­ries", Villa Vassilieff, Paris, 2017. Image: Aurélien Mole.
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    Exhibition chronology view of "One of many sto­ries", Villa Vassilieff, Paris, 2017. Image: Aurélien Mole.
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    Exhibition view of "One of many sto­ries", Villa Vassilieff, Paris, 2017. The Blank Page Fiction. Image: Aurélien Mole.
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    Exhibition view of "One of many sto­ries", Villa Vassilieff, Paris, 2017. Journal Awraq al-Tashkiliyya. Image: Aurélien Mole.
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    Exhibition view of "One of many sto­ries", Villa Vassilieff, Paris, 2017. Amna Al-Nassiri, unti­tled, oil painting on canvas, date unknown. Courtesy of the artist. Image: Aurélien Mole.
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    Exhibition view of "One of many sto­ries", Villa Vassilieff, Paris, 2017. Amal Fadhel, Domination’s game, around 2008. Courtesy of the artist. Image: Aurélien Mole.
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    Exhibition view of "One of many sto­ries", Villa Vassilieff, Paris, 2017. Make together, par­tic­i­pate, engage, act. Image: Aurélien Mole.
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    Exhibition view of "One of many sto­ries", Villa Vassilieff, Paris, 2017. Image: Aurélien Mole.
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    Exhibition view of "One of many sto­ries", Villa Vassilieff, Paris, 2017. Various arti­cles on Yemeni artistic activity. Image: Aurélien Mole.
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    Exhibition view of "One of many sto­ries", Villa Vassilieff, Paris, 2017. Image: Aurélien Mole.
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    Exhibition view of "One of many sto­ries", Villa Vassilieff, Paris, 2017. Jameel Subay, Photographs unti­tled, 2009. Amna al-Nassiri, Poster for the exhi­bi­tion Femme du monde (Woman of the World), 2011. Courtesy of the artists. Image: Aurélien
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    Exhibition view of "One of many sto­ries", Villa Vassilieff, Paris, 2017. Membership card of the Yemeni Artists Federation in Aden, 1972. Murad Subay, unti­tled, 2011, acrylic on canvas. Courtesy of the artist. Image: Aurélien Mole.
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    Exhibition view of "One of many sto­ries", Villa Vassilieff, Paris, 2017. Murad Subay, unti­tled, 2011, acrylic on canvas. Courtesy of the artist. Image: Aurélien Mole.
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    Exhibition view of "One of many sto­ries", Villa Vassilieff, Paris, 2017. Ahmed Al-Kharazi, Photomontages, 2000’s. Courtesy of the artist. Image: Aurélien Mole.
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    Exhibition view of "One of many sto­ries", Villa Vassilieff, Paris, 2017. Cosmopolitanism and exchanges. Image: Aurélien Mole.
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    Exhibition view of "One of many sto­ries", Villa Vassilieff, Paris, 2017. Image: Aurélien Mole.
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    Exhibition view of "One of many sto­ries", Villa Vassilieff, Paris, 2017. Photographs about the opening of the Eham al-Arashi solo exhi­bi­tion in Moscow, 1990. Courtesy of the artist. Image: Aurélien Mole.
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    Exhibition view of "One of many sto­ries", Villa Vassilieff, Paris, 2017. Painter Ali Baraas and painter Fuad Muqbil in the Soviet Union. Courtesy of the artist. Image: Aurélien Mole.
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    Exhibition view of "One of many sto­ries", Villa Vassilieff, Paris, 2017. Salim Zibal, « The birth of con­tem­po­rary Arab Art », Al-Arabi magazine, 1973. Image: Aurélien Mole.
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    Exhibition view of "One of many sto­ries", Villa Vassilieff, Paris, 2017. Talal Al-Najjar, Four anatom­ical studies, 1983-1992. Courtesy of the artist. Image: Aurélien Mole.

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