• About
  • Participants

    • Participants

    Dominique Bermann Martin —André Lhote’s niece— is the deposi­tary of the Painter’s archive and ensures its clas­si­fi­ca­tion. Bermann Martin is expert and respon­sible for the moral right on the work of André Lhote. She is cur­rently writing a cat­a­logue raisonné of André Lhote’s painterly work. Amongst her pub­li­ca­tions are Paulhan-Lhote, Correspondance 1919-1961, Édition établie, ano­tated and pre­sented by Dominique Bermann-Martin and Bénédicte Giusti Savelli, col­lec­tion Les Cahiers de la NRF, Paris: Gallimard, 2009; "La col­lab­o­ra­tion d’André Lhote à La NRF: La cri­tique d’art envis­agée par un peintre" in La place de la NRF dans la vie lit­téraire du XXème siècle: 1908-1943: Les Entretiens de la Fondation des Treilles, Paris: Gallimard, 2009 col­lec­tion Les Cahiers de la NRF.

    Fanny Drugeon, a Doctor in Contemporary Art History, wrote her thesis on the rela­tion­ship between abstrac­tion and the Catholic Church after 1945. She teaches art his­tory in sev­eral places (Colleges of Art, École du Louvre, Prep Art School Les Arcades…). She has pub­lished many arti­cles and essays on con­tem­po­rary art, and co-edited L’art actuel dans l’Église (Ereme, 2012). She is an asso­ci­ated member of the Labex Création, Arts et Patrimoine and of the AICA-France (Association Internationale des Critiques d’art). Her cur­rent research looks at Parisian cos­mopoli­tanism in the second half of the 20th cen­tury.

    Zeynep Kuban is a Professor of History of Art and Architecture at Istanbul Technical University, Faculty of Architecture. Her main inter­ests in research and edu­ca­tion are Ancient Architecture and the Art and Architecture of the early 20th Century. She is the head of the Art History pro­gram at ITU. Kuban has taught in Gemany at BTU-Cottbus, LMU Munich and TU- Berlin. She is engaged in her­itage edu­ca­tion for chil­dren in archae­o­log­ical sites, Turkish Co-director of the Austrian exca­va­tion in Limyra in the south of Turkey. Member of ICOMOS-Turkey, Koldewey Stiftung, Guiding Architects Association.

    Simone Wille is an art his­to­rian and she is cur­rently the head of research of "Patterns of Trans-regional Trails", a pro­ject that exam­ines the mate­ri­ality of art­works and their place in Bombay, Paris, Prague, Lahore, from the 1920s to early 1960s. It is funded by the Austrian Science Fund (FWF) - Project Number P29536-G26. Wille is affil­i­ated with the University of Innsbruck. Her first book, Modern Art in Pakistan: History, Tradition, Place was pub­lished by Routledge in 2015.